Panning in photography is a technique that uses a slow shutter speed to create images where the main subject stays sharp while the background is artistically blurred, emphasizing motion and speed.
Perfecting panning shots is a rewarding challenge that lets you capture motion in a way static images simply can't convey. Mastering it adds another tool to your photography arsenal, one that can make the mundane more interesting. In this article we'll go through the essentials, from shutter speed to lens choice, so you can perfect your panning shots and take your images to the next level.

WHAT PANNING CAN DO FOR YOUR PHOTOGRAPHY
Convey motion. Panning highlights the speed and direction of moving subjects like vehicles, runners, or cyclists, for a dynamic effect.
- Introduce abstraction. Blurring the background creatively leaves colors and patterns as the main visual clues.
- Isolate your subject. The subject stays sharp while distracting backgrounds soften away.
- Improve storytelling. By shifting the viewer's attention from the environment to the subject, we can suggest energy and movement in a narrative, like introducing a bustling street in slow motion.
Now let's talk about the technical part. How do we pan correctly?
LENS CHOICE
The focal length directly affects both the amount of motion blur and the stability of your shot.
Longer (telephoto) lenses are harder to hold steady through the motion, but they compress the scene and produce dramatic background blur.
Shorter (wide to standard) lenses are easier to stabilize, but usually need slower shutter speeds to introduce enough blur, which is trickier to control without unwanted shake. The right balance is a focal length that suits your subject's speed while letting you control both blur and stability.
THE RIGHT SHUTTER SPEED
The correct shutter speed is a balance of several factors: the subject's speed, whether your camera has IBIS, your focal length, and your technique.
I recommend starting at 1/30s and adjusting from there based on the subject. A Formula 1 car can give a beautiful panning effect even at 1/250s, while a person on an electric bike can be captured as slow as 1/4s.

THE RIGHT AUTOFOCUS MODE
Use continuous autofocus (AF-C or AI-Servo) to keep the subject sharp through the movement. If you're picking one subject out of many, a tracking point usually works better than subject recognition. These recommendations vary by camera brand and model, though: newer cameras excel at subject tracking, and sometimes a tap on the screen is all it takes to lock on.

BE VERY STABLE - STABILIZE YOUR STANCE
Stand steadily, keep your elbows close to your body, and rotate smoothly from the waist. Move only with your waist. If you follow the subject with extended arms, your hands will wobble and the result is a blurry subject.

TRACK THE SUBJECT
Start tracking the subject in the viewfinder before pressing the shutter, and match their speed with your motion. Track too fast or too slow and the subject blurs. Press the shutter and keep panning smoothly until the shot is complete, with no abrupt stop at the end.
USE BURST MODE
Set burst mode and hold the shutter down through the entire pan. Multiple frames dramatically improve your odds of the perfect one.

EXPERIMENT WITH BACKGROUNDS
Choose visually engaging, colorful backgrounds for artistic impact. In my experience, vibrant and dynamic backgrounds work best. Avoid the sky or a bare horizon line: they rarely complement the motion effect.

KEEP THE EXPOSURE IN MIND
With such slow shutter speeds, panning in the middle of the day is challenging. Often even your smallest aperture (typically f/16) won't prevent overexposure. Two ways to manage it: use an ND filter to cut the light, or shoot just before sunset or during the blue hour when the light is softer.
You can also combine slow shutter panning with flash, but that's a street photography technique I'll cover in another story.

CLOSING
Perfecting panning takes time and practice, but with these tips I hope you feel more confident capturing motion-filled images. Go out and give it a try.
Keep experimenting, and with each shot you'll get closer to mastering the technique.